Gerald Busby is an absolutely delightful person, if you ever get the chance to meet him. That opportunity came to me sort of by accident. After I had decided what I was going to program on this Whitman recital, I had to get the music. Most of it was available through the invaluable Glendower Jones at Classical Vocal Reprints. However, Gerald's piece, "Behold this Swarthy Face," was not, and Glendower did not know whom I should contact to get it. So, I put out an inquiry on Facebook to see if anyone knew how to get in touch with Gerald. Nothing. I searched online. The material available didn't have any contact info that I could use. He did have a Facebook page, but it didn't look as if he used it much, and I wasn't even sure if it was really him or not. After exhausting the options I figured I had, I decided to email Thomas Hampson. It was his album, after all, that introduced me to the work, so I guessed that he might be able to give me some guidance. I found an email address for his NYC office and fired off a message, expecting to wait several days for a response since he was just a little busy with an international superstar career.
Showing posts with label Thomas Hampson. Show all posts
Showing posts with label Thomas Hampson. Show all posts
Friday, July 30, 2010
Tuesday, June 1, 2010
Themes and Variations
I hate themed recitals. To me, the singer is saying that he doesn't feel like the music can stand on its own. Now, a lot of people don't agree with me, and honestly, that's okay. Differences like that keep our business vibrant. After reading that, you might look at the title of this blog and think, "Well, gee, this is a blog about a themed recital." True, to a point. It was a challenge I thought a lot about, however, the poetry won out in the end.
Subscribe to:
Posts (Atom)
